![]() It is cinematic criticism which was slowest in coming to terms with the presence of television and therefore most instrumental in perpetuating the view of cinema as an isolated object of aesthetic, critical and academic inquiry. Television’s growing popularity has drastically reshaped cinema’s audiences and forced governments to introduce policies to regulate the interaction between cinema and television in the changing and dynamic audio-visual environment. ![]() In every European country television has transformed economic, technological and aesthetic terms in which the process of cinema production had been conducted. ![]() Thus they indicate a new direction for the debate about the future of cinema in Europe. The authors approach the subject from the perspective of television’s impact on the culture of cinema’s production, distribution, consumption and reception. European Cinemas in the Television Age is a radical attempt to rethink the postwar history of European cinemas. ![]()
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